In another life, I’m sure we’re two frogs on a leaf

for Nikita Reddy – may we remain friends for years to come


Rain, a couple nights ago, the sudden pelting against 

rooftops after midnight. For three days in a row, I rinsed 


nosebleeds under the bathroom sink, rhododendron thinning

into sunset pink. Before I went to sleep, my mouth tasted 


like rust, and a chord of shallow matter struck beneath my ribs. 

Before I woke, I could hear the clock ringing, 


leaden circles of time scraping in the stale air. So many days leave 

& leave; I am still blood. I’ve been told that everything reads like poetry


if you are silent for long enough. Once, I tried pulling the cough out 

of my lungs, detaching my ribs, one by one, to see if I could count 


my breaths pierced by unwanted deliverance. What I’m trying to 

say is: sorry for that one afternoon, when the girl asked 


if we were best friends. I looked up, emptied the water 

from my throat, unspooling, whittling. Some life takes place 


outside of everything, and at the hotel in the city, I watched a man 

yell at the children waiting in line for the elevator. In my dreams, 


one of them cried & I wanted home. In the city, I thought of you. 

What I’m trying to say is: sorry I couldn’t answer her—I have never 


belonged to anyone, any place in the world—yet I have this harsh need 

to return to where I know. I have never accomplished anything in this life


other than the miles between my body to the next. I remember it; 

there was enough light to seal gaps of years and years together. 


一日三秋, three autumns in a sunrise, the first sunrise in three autumns. I miss you.

Yes, let the imagery head home. Yes, the light pins itself to your cheek. 


& here is all the poetry I’ve read for life, all the poetry I will have for life. 


Michelle Li has been nationally recognized by Scholastic Art and Writing, the Bennington Young Writers Awards, and Apprentice Writer. She is an alumna of the Kenyon Review Young Writer's Workshop and will be attending the Adroit Summer Mentorship. Her work is forthcoming or published in Aster Lit, wildscape. literary, and Third Wednesday. She is editor-in-chief of The Incandescent Review, executive editor of Hominum Journal, and edits for The Dawn Review. In addition, she plays violin and piano and loves Rachmaninoff and blackberries.

Michelle Li

Michelle Li has been nationally recognized by Scholastic Art and Writing, the Bennington Young Writers Awards, and Apprentice Writer. She is an alumna of the Kenyon Review Young Writers Workshop and will be attending The Adroit Summer Mentorship. Her work is forthcoming or published in Aster Lit, wildscape. literary, and Third Wednesday. She is editor-in-chief of The Incandescent Review, executive editor of Hominum Journal, and edits for The Dawn Review. In addition, she plays violin and piano and loves Rachmaninoff and blackberries.

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